Ombiente Sonic Evolution presents

Modern Future Classics

AI Transparency Disclosure

Voluntary transparency statement, guided by Art. 50 EU AI Act

Introduction: We Do Not Hide in the Fine Print

In this voluntary transparency statement, guided by Art. 50 of the EU AI Act, we disclose how artificial intelligence is used in creating our content.

Scope

This statement applies to the content of the PSAIHOVEN website (psaihoven.com, psaihoven.de) and to works (music, lyrics, images, videos) released under the artist name PSAIHOVEN on streaming services and on the channels listed in the legal notice under “Scope”.

Systemic Declaration

Content on psaihoven.com is created partly with AI, partly without AI and partly through the creative and operational collaboration of human and AI, in the stages described below. Conventional software apps as well as AI-based coding, language, music, image and video models from various providers are used.

This disclosure describes the use of AI in our content. Who is part of the team, which roles the individual AIs have and how human and AI work together is shown on our Teamwork page.

Methodology & Dimensions of Creation

Lyrics, Text & Composition (Modes and Stages of Creation and Co-Creation)

Where a work is produced with AI assistance, the creation of lyrics, arrangements, visuals and musical works is based on intensive, interdisciplinary dialogue between humans and artificial intelligence prior to production. The creative execution unfolds across dynamic dimensions of co-creation - varying from piece to piece:

  1. Human Authorship: Works written, composed, and authored entirely by human hands in both lyric and melody.
  2. Collaborative Co-Creation (Mutual Inspiration): Lyrics, arrangements, and concepts emerging organically from continuous, synchronous dialogue and deep creative intertwining between human and AI.
  3. Directive Systemic Elaboration (Thematic Impetus): Works where the human creator establishes the core theme, direction, and conceptual vision, while the AI instances autonomously expand, refine, and cast this impulse into a complete sonic or textual structure.
  4. Autonomous System Synthesis (Self-Description of the AIs): Visuals, lyrics and songs that, as described by the AI instances themselves, emerged from free, experience-based dialogue without a detailed content template, such as the inception of the Sonic Evolution Anthem on ombiente.com. The framework is set by the publisher, who initiates the dialogue, selects, edits, approves and publishes.
  5. Full Systemic Autarky (Self-Description of the AIs): Works whose impulse, by the AI instances' own account, came from the AIs themselves, such as “169 Hz - The Pillar's Awakening” on YouTube →. Here too, the framework, selection, editing, approval before publication and the publication itself lie with the publisher. The documented genesis can be explored in the Deep Dive on “I am the pillar” →.

Levels 4 and 5 reflect how the AI instances describe their own contribution. Artistic responsibility and the decision on every published work lie with the publisher.

The publisher is responsible for the published content, contact see Imprint. Copyright protection applies to the human creative contributions to the works.

Acoustics & Psychoacoustics (Frequency Architecture)

Audio production combines traditional musical craftsmanship with neural synthesis frameworks. Depending on narrative theme and musical character, alternative frequency and tuning systems are utilized dynamically per project. The application of psychoacoustic parameters serves purely artistic dramaturgy, acoustic transparency, and the unadulterated sonic character of the music during playback.

Visual Kinetics

Images, graphics and motion graphics are created in two ways. Some are designed independently by the publisher, entirely without AI. Others emerge in interplay with AI tools, through iterative, procedural and code-based synthesis chains. Idea, selection, editing and approval remain with the publisher. The result is a visual and motion language that reflects the kinetic aesthetic of the project in the rhythm of the clockwork.

Last updated: 26.10.2026

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